I got educated in social sciences, with a PhD at the University of Grenoble (1983). It is in Brazil with landless farmers that i carry out my first professional visual projects, by associating farmers to the production of didactic tools (films, slide shows) used for their training. After having worked and travelled in many Latin American countries, I discover Europe in its diversity. From 1999, I travel a lot in the Eastern part of Europe, attracted by Eastern borders and borderlands. For my first trip to Latvia in 1999, I had read Bokov’s beautiful book Déjeuner au bord de la Baltique. Till which point, this reading influenced my gaze ? On a very long run project, more than 15 years, my intention was to perceive changes of Eastern societies in transition, with a deliberate subjective focus. So the book aims to share this ambition.
Born in Moscow in 1945, Nicolas Bokov is forced to exile in 1975, because of his anti-soviet clandestine activities.
He is the author of Nikto, published by Maurice Nadeau in 1971. Dans la rue, à Paris (Noir sur Blanc, 1999) prefaced by Abbé Pierre, tells his experience of homeless in France at the end of the 80’s. He also published with Editions Noir sur Blanc : Déjeuner au bord de la Baltique (1999), La Conversion (2003), La Zone de réponse (2003), Or d’automne et pointe d’argent, Conversations avec Victor Koulbak (2005) et Opération betterave (2010, mention spéciale du prix Russophonie). La Tête de Lénine, published in 1982 by Robert Laffont , has been re-published by Noir sur Blanc in Mars 2017.
Artistical director at Zedd: graphic designer, web designer since 1998, handles creative projects, graphic identity. Her experience and pragmatism allow for a comforting authenticity in each and every project she conducts. Curious, sensitive, Sabine is never at lost with ideas, her feeling for esthetics and her knowledge of applied arts reveals all the potential of your projects.
Technical director at Zedd: developer, system administrator, works since 1997 on web projects. Always willing to help, he loves efficient solutions that allows the team to never be stuck by problems, each having a solution of its own.
Trained by Georges Fevres and Voya Mitrovitch, she sets up in 1993, the Atelier Fenêtre sur Cour, exclusively dedicated to black and white silver gelatine printing.
During 22 years, prestigious photographers such as Erich Lessing, Sergio Larrain, Brassaï, Charles Matton, Gérard Rondeau...delegate to her the interpretation of their negatives. Nathalie cofounds the group My Darkroom, with photographers from different horizons, sharing the taste and will of analog photographic practice. In 2016, she leaves Paris for the province and sets up a new printing lab Le Rideau Noir. She has been working with Gerald Assouline for more than 15 years. All the photos of the book have been printed by Nathalie Lopparelli. They are together members of My Darkroom.